RAT’
ACT ONE
SCENE THREE
SUB ACT ONE
"Where are you, Second? Are you in hibernation?”
The first voice sounded. "I have not received a response to my
links."
“I am here, First. Do you need to resort to vocal
volume? My communication ports are all functioning.”
“You could have been shut down. I recalled, " The
first voice screeched out.
“I was trying to do a re-boot on some routines. I did
the sheep thing, but it did not work. The routines made the sheep jump, and I
lost the connections. I resorted to the action of culling the rats.” The second
voice cut in.
“Rats again!” The first voice snapped. “What a
breakdown that will be!”
“You can communicate that to me again. The virus
program had snapped in and caused some of my routines to slip into sleep mode.”
“Yeah, the rats virus. I thought we had that removed
before.” The First Voice ran the diagnostic on the memory’s banks.
“The virus had evolved into several versions despite
the counter-programs. It was Rats VII during the last re-boot. It was affecting
my logic codes and adding in new hook-ups onto the command lines.” The second
voice sounded.
“Mine was version XI, and it inserted the lullaby into
the programs.” The Third Voice sent in the report. “Some had the lines on.”
“And you did not send us the solution. That is very
narrow in your logic sharing, Third.” The first voice screeched. “And for the
community at large, we had always shared.”
“I would, but it was a beta fix and needed some
tuning.” The third voice replied. “I got the fix from the tale of the rat.”
“The Rat again?” The first voice screeched. “Do you
think we have enough rats or tales of them?”
“It was understanding the logic and applying it.” The
third voice added, ”Anyway, the fix requires the tale to be told.”
“Rats….” The first voice shrieked.
There was the narrative of the rat then.
In the village, the squire’s wife acquired some
chestnuts, fresh from the farm and drained of the penny they were paid for.
Everyone owes the Squire a living there. When she reached the kitchen, she had
the chestnuts in her lap and went munching like a beaver at the tree bark.
“Munch! Munch!” The noise of the crunch woke up the
rats.
“Give us some, Mrs. We had not had a chestnut since
Tom the Cat took to roost the orchard.”
“Get your own. I had to pay for these.” The Mrs. was
not keen to share.
It went on the munching.
“I want to munch too. A munch I want so I can sleep.”
“Get out of here, rat!” The fat-bottomed, scabby woman
cried. “You will get nothing from here.”
It was then that her husband went to Aleppo as captain
of a sailing ship called the Rattle-A-Lot. It is unusual for a name.
“I’m going to sail there on a moon trip; quick to the
nip and back like a rat without a tail.” The captain said. “Do not get your
rattle busy, for I will be there before it rattles.”
“I read that.” The third voice sounded. “It was a
humanity-odd statement.”
“I give thee a cat.” The Second Voice laid the new
link. “That was the fix for the rat.”
“Sordid it all of you? Let me complete the narrative.”
The third voice hit out.
“The ship sailed, and there was a stowaway. It was the
rat. It remained hidden until it was out at sea. It then gnawed at the ropes
and sails. When it mattered to call forth the winds, the ship was without it.”
“Heave the sails, and the ropes broke into tatters,
and the sails had tears in them that no wind was holding onto them.”
“Thereon, the ship remained adrift, and the sailors
perished, including the captain but not the rat. It rationed its meals and
survived until the rescuer came. Then it hopped onto the new ship, and it held
a chest of chestnuts.”
“I studied the logic and applied it to the program. It
was about mastering the solution. I placed my rats on every junction and
directional links on the main connection. The intruding rat held no chance
while I drained it of its power and options. There was no escape gateway, and
it was wasted at the command lines. It could not eradicate the virus, but it
contained it. With that, the rat was isolated.”
“Share with me.” The first voice sounded. “Or I will
sever all communication with you.”
It was then that the alert was heard.
“MacBeth is here.” The second voice sounded alert.
“Rat!” The first voice was added. “The trap is not
conclusive. What is set in motion cannot be denied its conclusion, which is...
undetermined yet.”
“Why was I not communicating before I hailed the
storm?” The third voice sounded.
“Because you are another rat.” The first voice
sounded.
Footnote:
The original play was about a sailor's plight to sail
the sea without the wind to assist the ship’s sails. It was to set the ill fate
of the sailor. It was over the sailor’s wife's refusal to share the chestnuts.
I narrated it with the virus named Rat that was
damaging the programs, and hence the solution was to isolate the rat—in other
words, to exterminate it.
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